Nicolas Cage surprises again with the trailer of his new film, a horror film inspired by the childhood of Jesus.
In The Carpenter’s areCage, 61, embodies Joseph in a reinterpretation of the Gospel of Tomás Childhood, an apocryphal text that describes episodes of the childhood of Christ.
The trailer, now available, shows disturbing images, including a crucifixion, while Cage pronounces phrases such as:
“What awaits us in the end, when we finally face death? May my faith last. Faith. My only strength to resist the same demon.”
In another passage of the trailer, Cage ensures that his son, called “El Niño”, has a power that cannot “understand or contain.”
The combination of terror and religion has already intrigued the followers, while the participation of Cage, famous for its unpredictable style, reinforces the expectation about what this proposal will bring.
The idea of portraying the adolescence of Jesus from a risky perspective aroused as much curiosity and enthusiasm in social networks. “I love writers who dare to take risks with the stories,” said a user, who admitted to having few expectations about the quality of the film, although not for that reason I planned to miss it. “It’s a brilliant idea.”
Another spectator suggested that the premise could lead to a deep story: “Maybe I am a Christian bad, but an introspective body horror approach about Jesus (and Joseph) facing his supernatural powers and the temptation of the devil seems fascinating to me.”
A third comment summarized the general climate of anticipation: “I’m ready, I can’t wait to see all the debate that will generate.”
“Not even in my craziest dreams I thought that Nicolas Cage would be Jesus’ stepfather in 2025,” someone wrote in a surprise tone, synthesizing the bewilderment – and curiosity – who wakes up the cast.
The film puts the young Noah Jupe (20) in the role of Jesus, while Fka Twig (37) becomes Mary. On the other hand, the antagonist, an enigmatic figure known as “La Strange”, will be performed by Johnston Island (18).
The film was directed by Lofty Nathan, British-American filmmaker born in Egypt, known by the documentaries 12 O’Clock Boys (2013) and Harka (2022).
This type of non -traditional approaches on biblical figures is not new in the cinema. One of the most remembered background is The last temptation of Christ (1988), by Martin Scorsese, where Willem Dafoe embodied a human Jesus, tormented by doubts, human desires and the possibility of escaping his destiny.
The film was hard criticized by religious sectors for showing Jesus with doubts, sexual desires and longing for a common life.
Decades later, Dafoe commented on the excessive reaction: “It is strange that in a world full of slash and pornography, people have altered so much with this. They are based on a novel. All it does is change the story a bit to offer another look on the character.”
“It is not an attack or an attempt of religious revision,” says its creators. “It is an invitation to think of Jesus from his most human side, not only as a divine figure.”
The Carpenter’s are It opens on November 14 in movie theaters.
(Tagstotranslate) Carpenter
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